Ecstasy

Abandoned on the sidewalk, household appliances with their cold and minimal appearance are, in reality, precise assemblies of carefully organized components. Usually sealed with special screws, their interiors are rarely exposed or accessible.
Once dismantled, disassembled, and unscrewed, a meticulous inventory is revealed — like a sensitive autopsy in which the objects seem to release their soul.
The television, once a surface of projection and illusion, is turned inside out. No longer producing images, it exposes the fragile architecture that once made vision possible — a silent body where the flow of images has stopped, leaving only structure, memory, and residue.