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The series explores the internal architecture of domestic objects — appliances designed to serve everyday life and normally existing purely through their function. Disassembled, opened up, stripped of their outer shells, these objects lose their utilitarian purpose and become spatial compositions situated somewhere between sculpture, installation, and painting.
A microwave, a refrigerator, a television — objects that accompany human daily life — appear here as fragile mechanical organisms. Their inner structures, wires, fixings, and technical components become visible, resembling anatomical cross-sections or attempts to expose the memory of the object itself.
In some works, organic elements are introduced into these technical constructions — fresh fruits, vegetables, images of human figures or mannequins. This creates a tension between the living and the artificial, the body and the machine, consumption and emptiness.
Installed at angles and extending into the space of the room, the objects break away from the flatness of the image. They exist in an intermediate state: between painting and object, between interior and body, between functionality and collapse.
The series reflects on the hidden inner life of objects, emotional attachment to consumer goods, and the unsettling fragility of the everyday environment.